The space is covered with a grid, on which are placed Takenobu Igarashi’s works and production materials from the archive’s collection. Among them,  Igarashi’s favorite tools and stationaries are included, as well as works by artists and designers who were friends of Igarashi. Some of them are familiar to us, but when you see them placed on the horizontal and vertical lines, you will have a different impression.

In the first term, the exhibition was arranged according to the grid displayed in the space. By being neatly arranged along the grid-like guidelines, even the uniquely expressive exhibits took on a quiet, restrained presence. In contrast, the second term explores the interaction between the grid and the exhibits, introducing flexible changes to the placement of display stands and objects. Move closer, step back, or even crouch down. Shift your perspective and view the exhibition from various angles. Unexpected compositions and relationships may emerge from a casual angle. Enjoy this visual playground, where constraints and playfulness intertwine, expanding with flexibility.

The permanent exhibition introduces Igarashi’s creative activities, starting with his works from his days as a designer to his representative works after his transition to a sculptor, using the keyword “environment” as a starting point.